Damon Kennedy (Tamblyn Lord, The River Kings) is an impressionable young man ready to begin university life. On the other side of the tracks live Terry (Craig Pearce, co-author of Strictly Ballroom), Felix (John Godden) and Benny (Kelly Dingwall) — who get their kicks out of robbing houses and chasing girls. But they're broke and all out of cash. During a routine burglary the gang discover an innocent Damon. Brushing off the intrusion and pretending they are looking for some mates, the gang flee the scene but bored Damon follows them and joins their group for the day, hoping to find some fun.When the gang picks up two girls, things become unhinged as a drunk Damon brags about some of his family's many affluent friends. Forced to take them to one of his cash-rich contacts, Damon's nightmare has only just begun. As Terry discovers that the wealthy don't always carry cash, what starts as a burglary soon turns into a killing spree.

A girl makes a park all by herself.

Video game developer Clayton Software enlists the talents of a misfit group of programmers to develop the scariest computer combat game: EVILUTION. With four weeks to bring the game to market and a million-dollar bonus on the line, they utilize a telemetry suit to render a 3-D version of the onscreen player. But when a power surge gives the hard drive a mind of its own, the suit comes to life to play the game for real and the programming team find themselves in the middle of a chilling virtual nightmare beyond their wildest imagination.

The City is the world, a world filled with NOISE--a virtual ocean, a digital jungle, and war has been declared against North America's business elite by a group of former political dissidents turned assassins. In response, authorities are pushing their latest security solution: an implantable I.D. system courtesy of VERI-SYNC. Set in and around a dystopian fictionalized City in the year 2035, unemployment, class warfare, and hyper-commerce provide the social backdrop in which a job-hungry data-miner, David Phoenix, attempts to survive.

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Killing to Live is a 1931 Soviet documentary directed by Vladimir Korolevitch.

In this romantic drama, a middle-aged gambler tells a casino croupier her life story. The story is told in flashback and chronicles the woman's romantic exploits with men. Though she was involved with many men, only one really touched her heart. He was a bartender who was tragically shot and killed during an attempted robbery. She later marries and has a daughter. Unfortunately she alienates herself from her daughter when she has an affair with her daughter's fiance. Her remorse is short lived. The film jumps back to the present with the woman leaving the casino on the arm of a handsome millionaire.

Blue Movie Madness is indeed a mad flick featuring lots of skin as a truly loverly blue-movie maiden shows a beginner the ropes. Everything here is geared toward laughs, but the essential purpose of skin flicks is never forgotten and the trade secrets exposed along the way are very revealing: "Don’t stab her in the eye with it!" yells the director, who can’t keep himself out of the action. Yes, "getting the part" takes on a new meaning in this one.

Follows six talented performers who interpret Mary Shelley’s classic novel from their own perspective; as young people growing up in 21st-century Britain. Using only their own mouths to make every sound in the film, with beatboxing and a capella, they explore how today’s society creates its own monsters.

Nikolai, together with his wife, whom he loves dearly, comes to the village to visit his mother. After a series of events, Nikolai decides to stay in the village and work on a collective farm...